business of photography: marketing your photography using photographer’s market
How to get your work published
Many photographers aspire to have their images published in magazines and books. There’s a lot of competition for this type of work but with a plan and dedication you can make it a reality.
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As a teenager I wanted to be a photographer for motorcycle magazines. By the age of thirty I had fulfilled that dream, shooting and writing for publications around the globe. Here are some of the keys I found to getting published.
You’ll need to find a market for your work
What are your interests besides photography? You are more likely to succeed by creating a niche for yourself rather than a broad approach like “I want to photograph people”. Do you like travel, pets, sports or food? Try to combine your love of photography with another interest, taking photos while traveling or photographing food that you‘ve created in your own kitchen. That way you’re creating samples of your work while having an enjoyable experience, regardless of your photographic success.
Who are the potential purchasers of your photography?
If you want to market your images to magazines, greeting card companies or galleries I highly recommend the 2008 Photographer’s Market. This book lists hundreds of potential purchasers, the staffer you should contact to submit images, how they should be submitted and what they generally pay. Interested in horses, autos or agriculture? There are potential magazine clients listed for most anything you can imagine. Want to find galleries in Wisconsin? It’s all in there. Photographers Market also has great case studies on successful photographers and some very useful general business and marketing information.
I also suggest going to the local mega-bookstore (Barnes & Noble, Joseph Beth Booksellers, Borders Books, etc.). Peruse the magazine racks and pick up copies of publications fitting to your work. Create a list of potential clients using the Photographers Market and the editorial contact information inside each magazine.
You have some photos and you have a list
If you think your work is suitable for a publication, then introduce yourself. I would suggest sending the following:
- An email or letter of introduction to the art director, stating who you are and what you have to offer. Be sure you are familiar with a recent issue of the publication and compliment the art director on a certain feature or the look of the magazine. Let art gallery directors know you are familiar with their recent exhibits and show them why your work is well-suited for them. It’s important to show a genuine interest in what they do, it helps a great deal in capturing their interest for what you do.
- Samples of your work. This might be a photo attached to an email, a large printed card with your website listed or a small booklet you’ve designed and printed yourself. Be sure to provide a link to an online gallery of additional images.
- For magazines, offer a story idea you would be ideal for. Mention a local event, person or place that might be of interest to the magazine and offer to shoot the story. Are you traveling somewhere of interest to the publicaton? Let them know. In the beginning you may have to shoot “on spec (speculation)”, getting paid only if the story runs.
After this initial contact you’ll want to follow up with an email or phone call. Don’t be surprised if it’s tough to get through to the art director or editor, it may not happen. Repeat this process every month by sending new images and keep in mind it takes three contacts for someone to really recognize your name.
It’s a bit of a waiting game, editors and gallery directors see photographers come and go, making a brief effort and then disappearing. Plan to be in it for the long haul and keep making contact, letting them know that you’re dependable and will be there when and if they need you. Like I always say, “you have to be in the right place at the right time” for opportunity to happen. If you keep putting yourself (and your work) in the right place, sooner or later it will be the right time.
For additional reading, here are a number of books on the topic of marketing your photography.










That is advise that works for just about anything you are trying to do.
Photographer’s Market has a companion book called “Photographer’s Market Guide to Building Your Photography Business” that goes in to a bit more depth on the business side of things. I found the case studies of various photographers enlightening.
Hey, Craig, I’m glad you’re already familiar with Photogs Market. Have you tried to market using it?
They publish it here in Cincinnati so I’m familiar with some of the photogs they feature…that’s pretty cool.
Thanks for the heads up on the companion book Craig.
Jim
I recently bought this book and found it to be a great resource - very well laid out and easy to find information. Well worth the $20!
Excellent post
- Krista
I do have a copy of Photographer’s Market as well. I haven’t tried any marketing with it though. I’m really still learning to shoot, so I’m not that concerned about selling stuff right now. It is sort of theraputic for me more than it is money oriented. Maybe in a year or two I’ll feel ready for that step.
Now that you mention it, Jim, quite a few of the photographers mentioned are from that area as well as the Minneapolis/St. Paul area.
In a previous hobby, I tried to be a sci-fi/fantasy writer and used Writer’s Market a bit. Didn’t get anything published, but then I wasn’t quite good enough for it. I did get quite a few of Writer’s Market’s books on writing, which I found useful. I think Photographer’s Market is published by the same company. So, I’d expect the same thoroughness in it as I found in Writer’s Market.
I would also suggest the ASMP Guide to Business, but wait till the 08 version comes out in September: http://www.amazon.com/ASMP-Professional-Business-Practices-Photography/dp/1581154976/
Great suggestions, all.
Craig, I’m continually amazed at the group that’s formed here at prophotolife…a sci-fi writer! That’s very cool. To some of us the tips here may seem fundamental. But, sadly, standards maybe aren’t what they used to be. When I interview a young photographer wanting to work for Daylight Photo I tell them to be sure and send us a thank you for the interview afterward. Sounds crazy, doesn’t it? It’s not because I want it for myself, it’s so they get in the habit. To many of them it’s the first they’ve heard of the concept!
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